Tales
The Visual Language of Maximalist Colour Palettes
Why I Choose “Too Much” Instead of “Just Enough” In my artwork, colour is never applied sparingly. I lean into saturation, contrast, and bold combinations that refuse to stay quiet....
The Visual Language of Maximalist Colour Palettes
Why I Choose “Too Much” Instead of “Just Enough” In my artwork, colour is never applied sparingly. I lean into saturation, contrast, and bold combinations that refuse to stay quiet....
Soft Horror Through Flowers: Why Beauty Isn’t A...
When Flowers Become Something More Than Decorative In my artwork, flowers rarely exist as comforting symbols. They don’t simply decorate the figure or soften the composition. Instead, they carry an...
Soft Horror Through Flowers: Why Beauty Isn’t A...
When Flowers Become Something More Than Decorative In my artwork, flowers rarely exist as comforting symbols. They don’t simply decorate the figure or soften the composition. Instead, they carry an...
The Art of Multiplicity: Why I Paint Doubled an...
When One Face Isn’t Enough to Hold an Emotion In many of my artworks, a single face cannot contain the full emotional state of the figure. Feelings rarely arrive in...
The Art of Multiplicity: Why I Paint Doubled an...
When One Face Isn’t Enough to Hold an Emotion In many of my artworks, a single face cannot contain the full emotional state of the figure. Feelings rarely arrive in...
The Role of Texture in Weirdcore Posters: When ...
When Weirdness Lives in the Surface, Not the Shock In my weirdcore-inspired artworks, unsettling emotion doesn’t come from dramatic distortions or violent imagery. It comes from the surface — from...
The Role of Texture in Weirdcore Posters: When ...
When Weirdness Lives in the Surface, Not the Shock In my weirdcore-inspired artworks, unsettling emotion doesn’t come from dramatic distortions or violent imagery. It comes from the surface — from...
The Visual Language of Dreamlike Colour Transit...
When Colours Feel Like Atmosphere Instead of Paint In my artwork, colour is rarely applied as a flat decision. It moves, drifts, and transitions from one emotional register to another....
The Visual Language of Dreamlike Colour Transit...
When Colours Feel Like Atmosphere Instead of Paint In my artwork, colour is rarely applied as a flat decision. It moves, drifts, and transitions from one emotional register to another....
The Unnatural Background: How I Build Depth wit...
Why My Backgrounds Never Aim for Realism The backgrounds in my artwork are never meant to represent real space. They don’t mimic skies, interiors, or landscapes. Instead, they operate as...
The Unnatural Background: How I Build Depth wit...
Why My Backgrounds Never Aim for Realism The backgrounds in my artwork are never meant to represent real space. They don’t mimic skies, interiors, or landscapes. Instead, they operate as...