When Colour Becomes Emotion
In my artistic world, colour is not surface — it’s signal. Every hue vibrates at its own frequency, carrying an emotion that moves beyond language. When I paint or design, I don’t choose colours intellectually; I feel them. They arrive as sensations, like sound or temperature, translating mood into visible vibration. In maximalist art, where abundance and energy reign, these frequencies collide and harmonize. Each composition becomes a field of emotional resonance — a visible pulse of feeling.
The Pulse of Maximalism
Maximalism, for me, is not about excess but about saturation — the fullness of experience, the density of emotion. It’s a space where colour doesn’t decorate but communicates. When multiple frequencies coexist — neon against shadow, violet beside gold — they create an internal rhythm, like multiple notes blending into one chord. This vibrational tension is what makes maximalist art feel alive: it’s not static, but constantly shifting, mirroring the flux of human emotion.
Colour as Alignment
I often think of each artwork as an energetic map. The tones I use correspond to emotional states — red for momentum, green for grounding, blue for clarity, violet for transcendence. Together, they align into what I call vibrational colourwork: a process of arranging hues not for harmony alone, but for equilibrium. When these frequencies align visually, something inside the viewer aligns, too. It’s as if colour corrects emotional dissonance, offering balance through perception.
The Frequency of Feeling
Emotions, like light, have spectrum. Some are dense and rooted, others airy and ethereal. I see my role as translating those frequencies into texture and tone. Thick, layered pigments express heavy emotion — grief, passion, intensity. Transparent veils of colour speak of introspection, acceptance, breath. When these layers overlap, they create interference patterns — a visual echo of how complex emotion truly feels. The maximalist aesthetic gives space to this fullness: it allows emotion to exist without reduction.
The Glow Within Chaos
There’s a sacred order within visual overload. My maximalist compositions may seem chaotic, but they are built around energetic geometry — an intuitive structure that channels emotion rather than restraining it. Glow and contrast become tools of navigation: light leading the eye, shadow grounding it. Each piece becomes a small ecosystem of vibration, where chaos hums in tune. The goal isn’t serenity; it’s coherence — the kind that feels like music inside the body.
The Alchemy of Energy and Art
Working with vibrational colour is a kind of emotional alchemy. It’s the act of transforming invisible frequencies into visible form — of giving shape to the unseen. Sometimes a painting begins with tension, a visual dissonance that needs resolution. Through layering and light, I let the colours “speak” until they settle into balance. This process mirrors inner alignment: the same patience, the same trust in intuition. Each finished work becomes both map and mirror — a record of transformation through colour.
Light as Language
In my practice, light is as expressive as pigment. The luminous accents — a streak of gold, a soft aura, a spectral glow — act like punctuation in an emotional sentence. They are the pauses, the breaths, the whispers of clarity amid intensity. Light is what holds everything together, both visually and spiritually. It’s the final vibration, the frequency that transcends colour itself — a quiet reminder that every emotional field, no matter how chaotic, carries within it a core of radiance.
The Vibrational Self
Ultimately, vibrational colourwork is about recognition. Every person responds differently to hues because every person carries a unique frequency. Through maximalist art, I invite the viewer to meet their own vibration — to see themselves reflected in the rhythm of colour. My work exists at the meeting point of chaos and coherence, emotion and alignment. It’s there, in that luminous threshold, that art becomes more than image: it becomes vibration, an echo of the soul rendered in chromatic light.
