Beyond the Surface
At first glance, an illustration may seem like a simple picture—a scene, a portrait, a decorative design. Yet illustration has always carried more than meets the eye. Beneath lines and colors lie symbols, metaphors, and coded gestures. To “read” an illustration is to move past surface recognition into interpretation: to ask not only what is shown, but what is meant.

Illustrations invite us to look twice, to approach them as visual texts. Like literature or poetry, they hold layers of meaning waiting to be uncovered.
Historical Roots of Symbolic Illustration
The practice of embedding meaning in drawings is ancient. Medieval illuminated manuscripts were filled with marginalia—flowers, animals, or grotesques—that conveyed moral lessons or private jokes. Renaissance engravings teemed with allegorical figures, where every object—an apple, a skull, a flame—carried symbolic charge.
Illustration was never merely decorative. It was a form of visual rhetoric, a way to speak to viewers across time and culture through a shared symbolic code.
Recognizing Symbols
To read an illustration, one must first recognize recurring motifs. Flowers often signify transience or hope; birds suggest freedom, spirit, or forewarning; eyes represent vision and vigilance; hands imply power, offering, or blessing. These are not fixed meanings but constellations of associations, shifting with context.

The power of illustration lies in this flexibility: a rose in one image may signify love, in another martyrdom, in yet another secrecy. Meaning arises in dialogue between symbol, setting, and viewer.
Hidden Meanings in Contemporary Illustration
Modern and contemporary illustrations continue to weave symbols into their visual fabric, though often in more playful, surreal, or ironic ways. A surreal portrait may carry botanical hybrids, where flowers erupt from skin like emotional growths. A poster filled with geometric patterns may echo talismanic protection.
These hidden meanings invite personal interpretation. Contemporary symbolic wall art, for instance, thrives on ambiguity—viewers see themselves reflected in the symbols, finding personal resonance in shared archetypes.
Reading as Active Encounter
To read an illustration is not passive. It requires slowing down, noticing details, asking what feels uncanny or charged. Why is that hand open and not closed? Why are the colors saturated in one area and pale in another? Why do eyes repeat across the page?
In this way, reading an illustration resembles dream interpretation. Both images and dreams speak in fragments, juxtapositions, and metaphors. Both rely on the viewer’s willingness to engage in translation.
The Role of Memory and Culture
Our ability to read hidden meanings depends on cultural memory. A viewer steeped in Christian iconography may see a lamb as sacrifice; another might see it as innocence or spring. Folk symbols—knots, stars, serpents—carry layers accumulated through centuries of storytelling.

Yet illustrations also invite new meanings. Contemporary artists often subvert traditional codes: a crown that once signified sovereignty might now suggest fragility, irony, or burden. The act of reading becomes dynamic, bridging past conventions and present sensibilities.
Why Symbols Matter
Why does it matter to read illustrations symbolically? Because symbols open us to depth. They remind us that art is not only what it shows but what it suggests. In recognizing symbols, we enter into dialogue with cultural history, collective memory, and our own imagination.
Illustrations, whether historical engravings or contemporary wall posters, become thresholds. They are not only pictures to be seen but texts to be read—silent yet eloquent, waiting for the attentive gaze.